Collected in one volume for the first time, the prose of Nikki Giovanni comes alive in this group of essays, articles, meditations, and recollections.
Chapter One 400 Mulvaney Street The runway is like an aircraft carrier— sticking out in the bay — and you always get the feeling of drunken fly-boys in green airplane hats chomping wads and wads of gum going "Whooooopie!" as they bring the 747 in from Hackensack to La Guardia. It had been snowing for two days in New York and the runway was frozen. They never say to you that the runway is frozen and therefore dangerous to take off from, and in fact you'd never notice it because all the New York airports have tremendous backups — even on clear days. So sitting there waiting was not unusual but I did notice this tendency to slide to the side with every strong wind, and I peeked out my window and noticed we were in the tracks of the previous jet and I thought: death has to eat too. And I went to sleep. The whole thing about going to Knoxville appealed to my vanity. I had gotten a call from Harvey Glover about coming down and had said yes and had thought no more of it. Mostly, as you probably notice, artists very rarely have the chance to go back home and say, "I think I've done you proud." People are so insecure and in some cases jealous and in some cases think so little of themselves in general that they seldom think you'd be really honored to speak in your home town or at your old high school. And other people are sometimes so contemptuous of home that they in fact don't want to come back. This has set up a negative equation between the artist and home. The Gem Theater was on the corner of Vine and a street that runs parallel to the creek, and for 10 cents you could sit all day and see a double feature, five cartoons and two serials plus previews for the next two weeks. And I remember Frankie Lennon would come in with her gang and sit behind me and I wanted to say, "Hi. Can I sit with you?" but thought they were too snooty, and they, I found out later, thought I was too Northern and stuck-up. All of that is gone now. Something called progress killed my grandmother. Mulvaney Street looked like a camel's back with both humps bulging — up and down — and we lived in the down part. At the top of the left hill a lady made ice balls and would mix the flavors for you for just a nickel. Across the street from her was the Negro center, where the guys played indoor basketball and the little kids went for stories and nap time. Down in the valley part were the tennis courts, the creek, the bulk of the park and the beginning of the right hill. To enter or leave the street you went either up or down. I used to think of it as a fort, especially when it snowed, and the enemy would always try to sneak through the underbrush nurtured by the creek and through the park trees, but we always spotted strangers and dealt. As you came down the left hill the houses were up on its side; then people got regular flat front yards; then the right hill started and ran all the way into Vine and Mulvaney was gone and the big apartment building didn't have a yard at all. Grandmother and Grandpapa had lived at 400 since they'd left Georgia. And Mommy had been a baby there and Anto and Aunt Agnes were born there ...
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